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http://social.zune.net/tv/series/Art+of+the+Game+Mass+Effect+2/73bc6fdd-1b11-444b-a8c7-edd7702c128d

Search for Art of The Game in the Gamer TV section on Xbox Live to download the full series!

In this first episode of the five-part Art of the Game series about the making of Mass Effect 2, BioWare lead concept artist Matt Rhodes unveils never-before-seen art and sketches created during the development of the game. See how the Geth have evolved from the original Mass Effect and how a visual idea on paper is translated into a living 3D universe. From aliens to equipment, the inner workings of the creative processa for the sci-fi masterpiece that is Mass Effect 2 are laid bare while simultaneously examining the role of concept art in video game development.

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TAGS: yt:quality=high Mass Effect UPC 882224355254 BioWare Corp Electronic Arts EA MPN M59-00033 Mass “Effect 2″ UPC 014633159820 MPN 882224355254 video games headshot All Your History BioWare xbox Shepard EA consequence Lead Concept Artist Matt Rhodes BioWare Edmonton Alberta Canada metal illusive elusive man bartender villains helmets Subject Zero tattoo scar sequel art of the game marvel ultimate alliance me mua space interview draw video game

Duration : 0:5:11

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You can make your own songs at Musicshake

http://www.musicshake.com/

if i can do it, trust me, you can do it as well

I want to thank my friends at studio8:

http://www.youtube.com/studio8

Intro song by Hypothesis:
http://www.myspace.com/ncinstrumental

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You can catch his next exhibition,
“KAWS, The Long Way Home,” February 21,— April 04, 2009 at the Honor Fraser Gallery in LA

http://www.honorfraser.com/?s=upcoming

or

http://www.honorfraser.com 

“I just started simply through graffiti and drawing on my skateboard and painting on walls and getting that small recognition,” said KAWS, known to his family as Brian Donnelly.

KAWS  graduated from the School of Visual Arts in New York with a BFA in illustration in 1996. After graduation, KAWS briefly worked for Disney as a freelance animator painting backgrounds. He also contributed to the animated series 101 Dalmations, Daria and Doug. 

He began his career as a graffiti artist growing up in Jersey City, New Jersey.

Later moving to NYC in the 1990s, KAWS started subverting imagery on billboards, bus shelters and phone booth advertisements. These reworked advertisements were at first left alone, lasting for up to several months, but as KAWS’ popularity skyrocketed, the ads became increasingly sought after.

In addition to NY, KAWS has done work in Paris, London, Berlin and Tokyo. 

In the late 90s, KAWS began to design and produce limited edition vinyl toys, “an instant hit with the global art toy-collecting community,”especially in Japan, where this genre is well respected and widespread. More toys and later clothing were made for Original Fake, a recent collaborative store with Medicom Toy, in the Aoyama district of Tokyo where an original limited edition product is released each week.

KAWS has also participated in other commercial collaborations with Takahashi for Undercover, snowboard projects with Burton, and sneakers with Nike and Vans.

His most recent collaboration was with Comme des Garçons.

KAWS’ acrylic paintings and sculpture have many repeating images, all meant to be universally understood, surpassing languages and cultures. 

One of KAWS’ early series, Package Paintings, was made in 2000. This series, entitled The Kimpsons, subverted the famous American cartoon, The Simpsons. KAWS explains that he “found it weird how infused a cartoon could become in people’s lives; the impact it could have, compared to regular politics.”

In addition, KAWS has reworked other familiar icons such as Mickey Mouse, the Michelin Man and the Smurfs.

Through all of his projects, KAWS has successfully blurred the line between fine art and mass-produced merchandise. He uses his products to allow his imagery to infiltrate a larger audience than that of the fine art world.

The artist is currently an active member in both the commercial and fine art communities.

His work is included in the traveling exhibition “Beautiful Losers,” which started at the Cincinnati Contemporary Art Center and will be traveling through 2009 throughout the US and Europe.

SELECTED SOLO EXHIBITIONS (forthcoming)

Plastic Culture, Harris Museum and Art Gallery, Preston, Great Britain

The Aldrich Museum of Contemporary Art, Ridgefield, CT

SPECIAL PROJECTS

Album Cover, 808s and Heartbreak, by Kanye West
Also check out:

http://www.original-fake.com

http://www.kawsone.com

Video: © 2009, CBS Sunday Morning, CBS News, CBS Interactive Inc. All Rights Reserved No Infringement is intended

Duration : 0:6:34

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At-Large Reporter Ray Summers wrote and narrated. I shot, edited and selected the music. Ray learned about Paul from a newspaper feature in the Roseburg, Oregon newspaper. Ray and I roamed Southern Oregon for a week in February and dropped by the Roseburg nursing home one wintry morn. We were in and out in 90 minutes, but what we captured was an amazing story on many levels.

I shot the story with a single system Frezzolini 16mm film camera. I shot daylight Ektachrome with dichroic filters on my lights since so much daylight was coming in the windows. I put an ECM-50 microphone inside Paul’s typewriter to capture the sound. I got the music from my personal library.

A week or two later, Assignment Editor Norm Gunning gave me a whole day to cut this piece. I synched 4 reels of film and sound and pretaped to 2 inch tape. By the reaction of the crew we knew we had a special piece.

I submitted the piece to the National Press Photographer Association’s 2nd quarter clip contest in 1976. It won 1st place nationally as the best television news story.

It had been lost on 3/4″ Beta tape in my hot attic for years. I just bought an used 3/4″ deck off EBay and recorded this story to my computer. It suffers a bit from generation loss. I count 3 generations: film, 2 inch tape, 3/4″ tape. Enjoy.

Mark Gardner is a regular contributor to WhackyNation.com.

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video clips from the 2005 documentary “The Devil and Daniel Johnston”.

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